Deaf Professionals

Bernard Bragg

http://www.bernardbragg.com/

An accomplished actor, director, playwright and lecturer, Bernard Bragg has trekked around the globe for forty years beginning in 1956 when he studied with Marcel Marceau in Paris upon his invitation. As if that was hardly sufficient, he is embarking on yet another trip to Europe in September to conduct storytelling workshops. In the 1960s, he played an instrumental role during the formative years of the NTD, contributing as an NTD leading actor, administrator, and sign master for ten years. Readers will remember him in The Quiet Man TV series as well as in CBS’s A Child’s Christmas in Wales and TV movie And Your Name is Jonah., among many others. He has written numerous articles and several books related to theatre and signed arts. Among his many national and international awards, Mr. Bragg was awarded an honorary doctorate in Human Letters from Gallaudet in recognition of his extraordinary service to deaf people of the world in theatre, education and communication. A resident of California, Mr. Bragg continues to enjoy teaching, playwriting and directing at the California State University at Northridge.

http://www.goodrichcenter.org/bragg.htm

Bernard Bragg is fond of saying that he was literally born to miming. Its true. As the deaf son of deaf parents, Bragg spent all his young days trying to communicate with the outside world. How did he try to make himself understood in the hearing world? Through mime and gesturing. Bragg who is credited as one of the first people to popularize mime in America, was the first American to ever study privately with Marcel Marceau, the great French mime. Marceau and Bragg exchanged many ideas in their work together and have continued their contact over the years.

After his return home from Paris, Bragg quickly rose to national prominence as a mime artist, starring in his own public television show, performing throughout the country and attaining both national and worldwide recognition. During the winter of 1973, he spent six weeks in Russia as Artist-in-Residence with the Moscow Theatre of mimicry and Gesture. Surprisingly, his performance with an all-Russian cast was the first time in more than 100 years that an American actor had appeared onstage in that country. The predecesor was a black American actor named Richard Aldrich.

Braggs work with mime does not begin to cover the scope of his expertise and experience. Among persons like Edna Levine, David Hays, Boyce Williams and Mary Switzer, who have each in their own way contributed to the concept of the NTD, Bernard Bragg, is one of its founders, continues to play his many unusual roles in its development. Some of Braggs writings on the subject of theatricalized sign language were included in the grant application, submitted to the US Department of Health, Education and Welfare, to establish the NTD. Most importantly, Bragg was responsible for bringing to the NTD company his theatre colleagues and friends: Audree Norton, Joe M. Velez and Charles Corey who helped get the NTD off to a great start.

The setting for Tales from a Clubroom is, as its title implies, a club of the Deaf, the heart of the Deaf community in most cities. The Deaf Club, according to its authors, is a piece of their own land in exile--an oasis in the world of sound.

At the California State University at Northridge, Bragg wrote, directed and produced three well-received plays To Whom It May Concern, Laugh Properly, Please and Truly Deaf. His influence did not stop in this country. He directed the German version of the former play in Berlin with the touring company of the leading German Deaf Theatre.

His autobiography Lessons in Laughter has been translated into Japanese, and his three-week tour in Japan was highly acclaimed.

Among his many national and international awards, Dr. Bragg was awarded an honorary doctorate in Humane Letters from Gallaudet University in recognition of his extraordinary service to deaf people of the world in theatre, education and communication. Moreover, he received a special lifetime achievement award from the World Federation of the Deaf for his global leadership in Deaf Theatre Arts.

A resident of California, Dr. Bragg continues to enjoy painting, traveling and giving one-man shows. Currently, he is deeply involved in digital filmmaking -- a new chapter in his long life -- and also in producing The Sound of Flowers Project's "Jack and the Beanstalk" -- a modern adaptation for deaf and hearing children.

Taras B. Denis once wrote of Bragg some years ago and it is still true today:

Its a big stage, the world, and our player
has already made his entrance. We are
confident that he will play his part perfectly;
that he will deliver his lines proudly,
beautifully; and that, when the final curtain
comes down, he will return--again and again.
Bernard Bragg, we wish you the very best....

I had seen his play more than twice. ;) He is totally deaf and Aslers.

Thank you! ;)
Sweetmind
 
Thank you, Deflord for bringing Kelby Brick up :)

http://deafness.about.com/od/deafleaders/p/kelbybrick.htm

Who is Kelby Brick?:
Kelby Brick is a deaf attorney. He has a deaf wife, and two children.

Kelby Brick's Background:
Brick has a Bachelor of Arts in government from Gallaudet University, and a law degree from the Temple University Law school. He had also attended the Florida School for the Deaf.

Kelby Brick's Resume:
Kelby Brick's resume includes:
National Association of the Deaf Director for Law and Advocacy
Former Chair, Deaf and Hard of Hearing Consumer Action Network (DHHCAN)
Previous Maryland Association of the Deaf Board member
Was a candidate in a city council election in Greenbelt, MD.

Kelby Brick's Activism:
Brick has been involved in high-profile deaf issues:
Captioning-denial of funding for "non-educational" content. The now settled lawsuit over movie theater captions in the metro DC area.
ADA-Trying to keep the ADA Notification Act (which would give businesses more protection from ADA lawsuits) from becoming law.
Employment-Involved in lawsuit against United Parcel Service.

He is signatory to many legal issues involving or including the deaf, and he is highly regarded as a spokesperson for the NAD.

Kelby Brick's Writings: Together with Sheila Conlon-Mentowski, and other people, Brick co-wrote "Legal Rights: The Guide for Deaf and Hard of Hearing People, 5th Edition." National Association of the Deaf, Gallaudet University Press.

Kelby Brick in the Media: The World Around You, Winter 2004 issue has a photograph of Brick with other deaf lawyers.
http://deafness.about.com/gi/dynami...llaudet.edu/WorldAroundYou/Winter2004/law.pdf

There are 100 to 150 deaf lawyers in the United States, according to lawyer John Stanton who is deaf. Stanton graduated from Georgetown University Law School and works in Washington, D.C.
 
Mr. Frank Turk/Mr. Gary Olsen

http://www.matthewscottmoore.com/visions/letters_and_notes/frank_turk_aug_98.html

Matthew Scott Moore
A fax from Frank Turk

Dr. Frank R. Turk is one of the Deaf Community’s most respected leaders. He is best known for his long-time work on behalf of Deaf youth,his firm commitment to quality education and community services, and individual self-discipline and responsibility, and is no stranger to controversy. He has known Matthew since he was a young child. Matthew, of course, is an alumnus of the Youth Leadership Camp, which Turk helped found. Both have worked together at the YLC and other community endeavors, and have kept in contact over the years. They have shared ideas, opinions, and support.

This fax is an example of their correspondence. DEAF LIFE devoted its September 1998 issue to the YLC, with several YLCers participating as edutors and contributors. This issue was well-received, and Frank Turk, in particular, appreciated the work that had gone into it..


History of NAD YLC
The NAD Youth Leadership Camp began in a very auspicious manner, it was an idea developed from a banter between friends.

In 1968, Frank Turk, then the national director of Junior NAD, and Gary Olsen, then Junior NAD projects specialist, were driving to the Missouri School for the Deaf in Fulton to assist with the printing of the biennial Junior NAD Convention procedures. While on the road, Turk and Olsen began a leisurely, but serious, conversation about developing and encouraging leadership in Junior NAD members.

They hit upon the idea of a summer camp for deaf youth, which would focus on personal growth and development in high school students, as well as the Junior NAD mission of "leadership, scholarship, and citizenship."

Turk and Olsen decided that a one-week program would not be long enough to obtain successful results. They settled on a length of four weeks, which would provide more time for campers to make progress on searching for their self-identities, be exposed to successful deaf leaders, and learn about various youth-related concerns.

The first YLC took place at the 44-acre Pine Lake Camp near Stroudsburg, Pennsylvania, from July 27 to August 23, 1969, with Olsen as its director. Campers were limited to those who had not attended any previous regional or national Junior NAD activities, so the opportunity to attend the YLC would be available to a greater number of students. In all, 64 freshmen and sophomores from deaf schools across the nation attended the camp, a number that has remained the same for each session held since.

Several traditions were established during the first-ever session. First were highly popular “’around the clock’ bull sessions with invited adults from various occupational fields.” These adults included notable figures like Robert Panara, Jack Gannon, and Dr. David Peikoff. Also, the daily publication, “The Daily Drum,” was ‘born’ at YLC and has since become a popular, cherished part of the camp program. Campers also went on field trips to nearby locations and held their own governing body for the camp, the Camp Council.

Shortly after the first YLC camp session ended, Turk announced the purchase of the 32-acre Swan Lake Lodge in Pengilly, Minnesota, as a permanent home for the YLC. Starting July 1970 and continuing during YLC’s tenure in Minnesota, two sessions of the YLC were held each summer at the Swan Lake Lodge.

The YLC program included “training in Leadership Skills, Language Arts, Social Studies, Health Education, First Aid, and programs in deaf history, group dynamics, drama, recreation and arts and crafts.”

During the YLC’s tenure at Swan Lake Lodge, the camp became known as the NAD YLC and required qualifications for applicants were revised - campers were no longer required to be Junior NAD members or students at deaf schools.

Unfortunately, after the 1989 session, the Swan Lake Lodge campgrounds failed to meet health and safety regulations. The YLC program was in danger of being discontinued until the NAD, with the help of Fred Weiner, found new campgrounds in Oregon. The NAD chose Camp Taloali, in Stayton, Oregon, partly “because it is land owned and run by deaf people.”

The NAD YLC relocated to Camp Taloali for the summer of 1990. Before the camp began, staff and volunteers had to travel to Minnesota to pick up equipment that belonged to the NAD YLC, such as boats and athletic equipment, and bring it to Oregon.

Tim Rarus, one of the student leaders of the 1988 Deaf President Now movement, served as camp director. The other three student leaders – Jeff Covell, Bridgetta Bourne, and Greg Hlibok – also came to speak to the campers, continuing the tradition of deaf leaders as speakers and role models.

This session was furthermore made memorable when one of the campers got lost in the woods and a major search party including horses, dogs, and helicopters had to be assembled to look for her. She was found 31 hours later. The incident attracted national media attention and, as a result, the NAD YLC began teaching campers orientation and wilderness survival skills.

Since 1997, the NAD YLC has published a “yearbook” of staff, campers, and camp events. The yearbook has joined The Daily Drum, Camp Council, and Fireside Chats (formerly the ‘bull sessions’) as one of the more popular parts of the camp program.

Also added to the NAD YLC program since its move to Camp Taloali are the Camp Bowl, a trivia contest, and the Mr. and Miss NAD YLC pageant.

The NAD YLC remained at Camp Taloali for twelve years until administrators of the campground decided to implement a year-round program that would not include the NAD YLC. The NAD then moved the NAD YLC to Camp Lakodia, owned by Communication Service for the Deaf (CSD), in Sioux Falls, South Dakota, for the summer of 2003.

Due to scheduling conflict, the NAD YLC moved yet again to 30-acre Sertoma Camp Endeavor in Dundee, Florida, for its 2004 session. At Camp Endeavor, the NAD YLC celebrated its 35th anniversary of serving and educating deaf youth. Unfortunately, SCE was severely damaged by three hurricanes last summer and they could not guarantee that the site would be back in shape for the 2005 NAD NAD YLC session.

In 2005, the NAD YLC moved back to Camp Taloali, Stayton, Oregon.

In the 36 years since its inception, the NAD YLC has turned out over 2,000 alumni, many of whom have become successful leaders in both the deaf and hearing communities. Among the alumni are businessmen and women, teachers, professors, lawyers, and NAD board members and employees!

NAD YLC Locations

1969 - Pennsylvania
1970-1989 - Minnesota
1990-2002 - Oregon
2003 - South Dakota
2004 - Florida
2005 - Oregon

YLC Directors

(Past Director information prior to 2003 currently not available)
2003 - Adele Ann Eberwein
2004 - Shanna Gibbs
2005 - Jennifer Yost Ortiz

I wish I did go there. Sighs!

Thanks! ;)
Sweetmind
 
Patrick Graybill, Actor/Artist/Catholic deacon

http://www.highbeam.com/library/doc...8519&ctrlInfo=Round20:Mode20b:DocG:Result&ao=



Deaf actor finds his place in the church.(Patrick Graybill)(Interview)


National Catholic Reporter; 1/19/2001; JONES, ARTHUR

Deacon follows and early tug to ministry

Abstract ideas of catechetical content challenge all people not familiar with them, not just deaf people," said Patrick Graybill, Catholic deacon -- and an actor with teaching in his blood.

Graybill, who was born deaf, was talking about the discoveries that can come as new deaf/hearing impaired pastoral ministries scholars apply their knowledge in the world of evangelization and catechesis.

There's no knowing where such developments can lead.

Some has been true with Graybill, now 61, for 10 years an actor with the National Theater for the Deaf who, internationally and nationally, "enjoyed being exposed to the world, meeting deaf people everywhere." But the stage wasn't quite where he wanted to be.

That became obvious again during the eighth touring year when Graybill, a native of Overland Park, Kan., made an eight-day silent Jesuit retreat. The earlier tug to minister in the Catholic church still pulled at the former seminarian.

In 1982 Graybill studied for the permanent diaconate at Colgate Divinity School in Rochester, N.Y. He is a deacon at Rochester's Emmanuel Church for the Deaf and teaches Themes and Symbols in Literature in the National Technical Institute for the Deaf's Department of Cultural and Creative Studies. "For fun," he still translates plays from English into American Sign Language.

Currently, Graybill is also one of the curriculum advisers and team-teachers at St. Thomas University in Miami. The university offers an imaginative new master's of arts in pastoral ministry with the deaf, run in conjunction with the Miami archdiocese's Schott Center for the Deaf and Disabled.

That's where NCR reached Graybill for a telephone interview -- speaking through interpreter Mary Chute-Un. Graybill, who grew up in a family with hearing parents, three deaf sisters and one deaf brother, attended the residential Kansas School for the Deaf in Olathe. He learned to sign from his two older sisters who went to the same school.

At Gallaudet University, where he earned a bachelor's degree in English and a master's in deaf education, he wanted to be a teacher like his mother. "I'd also been really inspired by several deaf teachers at the Kansas School," he said.

After graduation he taught at the Kendall School for the Deaf on the Gallaudet campus, but became disillusioned. "The school really was focused on English as a first language" instead of American Sign Language, he said, "and they had the idea that deaf teachers were better off teaching deaf students who were slower.

"That wasn't my idea at all," said Graybill. "I wanted to use ASL to teach literature, theater, English to deaf students. But I was never given that opportunity." (For a further explanation of the difference between signing English and using American Sign Language, please see preceding story."

The big change for the U.S. deaf community, he said, came 30 years ago when ASL was recognized as a legitimate language. "Deaf people felt empowered." A second breakthrough came in the 1980s when Gallaudet students demanded -- and got -- a deaf president at the university for the deaf.

After teaching at Kendall, Graybill entered the seminary. "The barriers in the seminary were hearing people who did not understand the deaf culture," he said. "They had their ideas of what to do with us without ever bothering to check with us what we wished ourselves."

"Not bothering to check with us" has been a recurring problem throughout the church's contacts with the deaf community, he said. Nonetheless, studying alone in his bedroom most of the time because the classrooms did not have interpreters, he maintained a "good B" average. After two years, "exhausted and burned out," he left. And went on tour.

"Barriers continue to the present day," said Graybill. "The stigma does continue. For example, deaf people are resistant to the medical perception of deafness. The medical establishment finds different ways to fix us, while we ourselves are happy with ourselves, our deafness, and enjoy our sign language."

As a boy, young Patrick Graybill attended the pre-Vatican II Mass. It was a mystery in more ways than one, for the priest had his back to the people. His mother taught Patrick to read early so he could follow along through the missal. "But I wanted greater access to the church."

Later, he met priests who could sign and was impressed. Indeed, as a 10-year-old he and his sister taught Kansas City, Kan., diocesan priest Fr. William Finnerty how to sign. Finnerty was for may years the director of diocesan social services.

Vatican II liturgical changes, with the priest facing the people, did not make much difference to a deaf congregation. "Maybe we could lip read a little," Graybill explained, "perhaps catch 30 to 50 percent. But there's a lot of guesswork involved. I would prefer priests who can sign."

One of his skills, he said, is translating. The National Catholic Office for the Deaf held its annual "Pastoral Week" in Austin, Texas, Jan. 13-17. Graybill often attends to give keynote talks and workshops.

"Two years ago I taught how to translate the mass into sign language," he said.

The Vatican has not given approval to ASL as a liturgical language.

Does that bother Graybill? "Yes and no," he replied. "Although we express in sign language, we still refer to the English grammar. I would prefer that Rome leave us room to experiment, allowing deaf people to take an active part in the translation. It's too early for a fixed translation," he said.

His mind is on other things, such as St. Thomas University master's program. "The target audience is the deaf who have bachelor degrees," he said, "admittedly a small group. Not long ago the dean of the National Technical Institute for the Deaf spoke of the time when the deaf couldn't teach because they didn't have advanced degrees. They couldn't teach the next generation.

"Same with deaf ministry," Graybill said. "Some need to get a master's, some need Ph.Ds. We will be educating for leadership.

"By encouraging more deaf people to become spiritual leaders," he said, "we don't have to rely so much on hearing people all the time. We deaf are skilled enough and intelligent enough to be spiritual leaders in the Catholic church ourselves."

As for the new generation of leaders St. Thomas will help prepare, "my hallmark for them is that hey will know where they stand as God's servants without worrying if they are doing right in the presence of hearing authorities."

As the interview ended, still the actor/artist, Graybill agreed to sign for the NCR front-page headline.

National leader sees signs of hope

Arvilla Rank, deaf since age 8, has been executive director of the National Catholic Office for the Deaf for three years. Rank holds a degree in business administration from St. Norbert's College in DePere, Wis., a master's degree in business education from the University of Wisconsin, and another from the same university in special education with a focus on deaf education.

Except for the latter degree, all her education was completed without an interpreter for the deaf. Nonetheless, we used an interpreter during an NCR interview when Rank discussed her three major goals for the office she heads.

The first aim is to raise the money to continue the award-winning videos on preparation for the Catholic sacraments. The initial one, "My First Eucharist," completed at a cost of $50,000, became available in 1999.

Rank said work is beginning on the second video, about the sacrament of reconciliation, though she has about half the $100,000 she needs. She hopes the funding will come.

Her second major goal, she said, is raisin awareness of the needs of the deaf and hearing-impaired population, especially by encouraging more people to become involved in deaf ministry; her third, continue the annual Pastoral Weeks for the Deaf. One took place Jan. 13-17 on the theme of spirituality for the deaf in Austin, Texas. The National Catholic Office for the Deaf is represented at annual religious education conferences.

Signs of hope Rank points to include more deaf persons learning to advocate for the deaf community, "which leads to deaf people themselves being in charge." Technology, such as TTY (text telephone), Internet, TV decoders and e-mail are "playing a large part in these changes," she said.

--Arthur Jones

CONTACTS:

National Catholic Office for the Deaf, 7202 Buchanan St., Landover Hills MD 20784. TTY: (301) 577-4184; voice mail: (301) 577-1684; fax: (301) 577-1690; e-mail: ncod@erols.com

Holy Angels Church of the Deaf, 4433 Santa Fe Ave., Vernon CA 90058; TDD (telecommunications devices for the deaf): (323) 587-0397; voice mail: (323) 587-2096; e-mail: hlyangl@aol.com

COPYRIGHT 2001 National Catholic Reporter

I have met him in person.. He seems nice and is a good actor.
 
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CJ Jones/ Deaf Black Performer

http://clerccenter.gallaudet.edu/worldaroundyou/mar-apr97/cj.html

CJ Jones:
The Heart of a Performer
When he was little, CJ Jones saw his brother do a tap dance in a play.

"Something happened deep inside me," he remembers.

And he knew he wanted to make performing his life.

His first acting job came when he was six years old. He got a role on television. He was on "Captain Kangaroo," one of the children in the captain's audience.


There was a group of deaf children in the audience he remembers. There was no interpreter, but that didn't matter. He relished the experience.

"It was simply natural for me," he says. "I was a born actor."

Growing Up
CJ was born hearing. He got spinal meningitis when he was seven years old-and became deaf. Becoming deaf was not hard for him. The way CJ tells it, it was harder for his doctors. Slowly and sadly, the doctors brought the news to his parents; they said that CJ would not hear again. But his parents surprised the doctors.

They were thrilled.

"Both my mom and dad were deaf," says CJ. "When I become deaf, they had no problem."

As for CJ, he couldn't have asked for better family. "I was the fourth brother of four boys, and we had two sisters," he says. "And I was blessed to grow up in a home where everyone signed fluently."

His home was the center for the small deaf community near St. Louis Missouri.

"At night, other deaf people would come to our home to discuss their lives with my father. My father would help them with their decisions and problems. He would also make jokes—and make them laugh. I would stay up late, watching them sign by the light of the kitchen. It was almost like I was watching my father in our own movie."

By elementary school, CJ's love of drama was already in evidence. CJ went to the Gallaudet School for the Deaf in St. Louis and graduated from Missouri School for the Deaf. At MSD, he acted and directed student plays.

He continued his work in drama after becoming a student at the National Technical Institute for the Deaf, in Rochester, N.Y.

After college, he went to work for Xerox. "But something was not feeling right," he says.

When the National Theatre of the Deaf offered him a chance to join, he gladly took it. He travelled and performed with the theatre for two years. Then CJ decided to go big time. He would try his luck in Hollywood.

Hollywood Performer
In Hollywood, acting, directing, and performing are highly competitive. Famous actors often talk about how hard it is to get jobs. Asked of it's tougher for actors who are black and deaf to find roles, CJ types each letter with a space after in on the TTY:
"O B V I O U S L Y," he says.
"A double whammy," some people call it.


"I wish they could see past the blue eyes and blond hair," says CJ. "I wish they could look at only the talent."

But perhaps to the astonishment of doubters, CJ began to chalked up some successes. He broke into TV with a role on NBC's "A Different World." He made 14 tapes as host of "Happy Hands Kids Club." He made his first stage debut at Deaf West Theatre and acted and directed plays at the California School for the Deaf in Frfemont.

He received the Los Angeles Cultural Arts grant to conduct "Deaf Culture Playwrights" workshops which resulted in "Everyday Café." He also directed a production of "Children of a Lesser God," winning a "Shellie" award for the production. His pilot "Say What," geared for TV comedy show has been recorded and will soon be distributed on videotape.

Well known in the deaf community, CJ is one of the few actors who supports himself totally in his work. Further, he recently became executive director of Hands Across Communications and is starting to produce more educational and family-oriented videotapes. He has become very active in getting other deaf actors opportunities to perform.

Life Into Art
Still there have been disappointments. Roles that have opened for black actors go to hearing black actors; roles that have opened for deaf actors go to white deaf actors.

"As a producer/director/comedian/actor/writer and teacher, I can succeed on my own terms," says CJ. "I care about creating as a deaf person—with other deaf people. We want to remove myths and portray our culture and ourselves. I want equal opportunity and accessible entertainment for all deaf people in the world!"

Like all artists, CJ need to work. Growing up, he learned some lessons in his own home—from a father who became sad and disheartened over the lack of opportunity for black deaf men. It was worse when his father was young.

"My dad applied to Gallaudet in the 1940's," says CJ. "But Gallaudet didn't accept black students at that time. So my father couldn't go to college. Instead he turned to boxing."

He won boxing's famous Golden Gloves.

Again CJ turned the experience into art. He wrote a play about his father's life. It is called "My Father's Mirror." It is about a man who "shadow boxes" at his own image in the mirror to keep himself frin giving into despair—exactly like CJ remembers his father doing.

"That's why I have to create my own work," hesays.

Other determined and talented people have done the same thing. Sylvester Stallone reportedly wrote the first "Rocky" to get himself a movie to star in. The FRAT—an insurance organization of, by, and for deaf people—began a generation ago when no hearing organizations would sell deaf people insurance.

Stallone and FRAT have chalked up major success. Perhaps CJ will too.

With many different irons in the Hollywood fire, CJ just needs one really big success to fulfill his destiny become a star. In a sense, he already is.

I have met him in person.. He is funny comedian that makes people laugh.

Thanks!
Sweetmind
 
All Deaf Professionals

http://liblists.wrlc.org/gsdl/cgi-b...0isoZz-8859Zz-1-0&a=d&c=deafbios&cl=CL3.3.114

Counselor

Attletweed, George (1931-Feb. 19, 1991) -- Teacher, Counselor, Activist
Bomak, Rita Elizabeth Chaikowski (1959-) -- Counselor
Brown, Katie (1918?-June 18, 2002) -- Counselor
Brundson, Gail Marie (1954-) -- ASL instructor, Counselor
Busby, Howard R. (fl. 2002) -- Counselor, Professor, Teacher
Chaffey-Johnson, Rosalind Grace (1966-) -- Counselor
Chmiel, Maryann Patricia (1953-) -- Actress, Counselor, Beauty contestant
Coker, Jackie (fl. 1989) -- Deaf-blind, Counselor
Couthen, Albert "Al" (fl. 1983) -- Counselor, Teacher, Educational administrator
Crawford, Marie-Josee Nault "MJ" (1972-) -- Lifeguard, Counselor, Social worker
Cripps, Joanne Selena Stephens (1954-) -- Clerk, Counselor, Author, Writer, Activist
Doull, Elizabeth (Nov. 2, 1949-) -- Teacher, Counselor, Social worker
Dressler, Linda Joy Russell (1954-) -- Teacher, Aide, Counselor
Drolsbaugh, Mark (1970?-) -- Counselor, Writer
EagleBear, LeRoy H. (1948?-) -- Dormitory supervisor, Custodian, Groundskeeper, Counselor
Germany, Jeremiah "Jerry" (1930-1977) -- Teacher, Counselor
Giglioni, Dino (March 22, 1950-) -- Teacher, Counselor, Sexologist
Haney, Holli (1970?-) -- Counselor, Cheerleader
Harvey, Paul Derek (March 1, 1967-) -- Counselor, Student
Hering, Kathleen Skyer (Feb. 24, 1950-) -- Activist, Counselor
Irgens, Henning C.F. (1929?-) -- War victim, Teacher, Counselor
Jenkins, Olive M. (1870-May 13, 1958) -- Dormitory supervisor, Counselor
Koskie, Cindy Lynn Gent (1967-) -- Counselor, Basketball player
Koskie, Linda Kiyoko Oye (1953-) -- Counselor
Lala, Frank James John, jr. (fl. 1999) -- Counselor
Magness, James (fl. 1983) -- Counselor, Teacher
McCarthy, Donald James (June 8, 1951-) -- Counselor, Teacher, Administrator
McCaskill-Emerson, Carolyn (fl. 1995) -- Teacher, Counselor, Beauty contestant
McIntyre, Lois Arlene (1959-) -- Counselor
McKercher, Anne Elizabeth (1942-) -- Counselor, Teacher
McKinney, J. Charlie (1941?-) -- Actor, Counselor, Administrator
McLaughlin, Joseph Robert (June 29, 1951-) -- Counselor, Psychologist, Educational administrator
McNamara, Mary Jane Anne (1954-) -- Counselor, Photo lab technician, ASL teacher
Molohon, Henry A. (1868-?) -- Counselor
Morse-Taylor, Eleanor Jane (1950-) -- Counselor, Social worker
Neumann, Marilyn Fay Pugh (1941-) -- Counselor, Intervenor for deaf-blind persons
Nickerson, Lucille May Anne Zimmer Dietrich (1937-) -- Counselor
Nixon, Marilyn Olive (1949-) -- Teacher, Counselor
Nyitrai, Kathryn Evelyn Stone "Kathy" (1948-) -- Counselor, Teaching assistant
Petersen, Eugene W. (1920-1988?) -- Printer, Counselor, Historian, Activist
Petersen, Larry (fl. 1986) -- Counselor, Teacher, Wine connoisseur
Rhodes, Albert "Tubby" (fl. 1983) -- Counselor, Electronics company employee
Rosen, Rosalyn Goodstein "Roz" (Feb. 22, 1943-) -- Counselor, Educational administrator, Advocate
Rudne, Winfield S. (July 24, 1877-?) -- Counselor
Shemi, Orly (1974-) -- Counselor, ASL teacher
Shinkawa, Esther Mayumi (1966-) -- Counselor
Smith, Frank B. (1888-June 10, 1947) -- Teacher, Counselor
Spink-Mitchell, Christine Clare (Dec. 26, 1949-) -- Beauty contestant, Hairstylist, Counselor
Steinman, Harold "Hal" (1920-) -- Counselor, School founder, Activist
Stewart, Irvine Kilbrane (fl. 2003) -- Counselor, Dancer
Stout, Judy Cummings (1954?-) -- Counselor
Tebow, Susan Sophia Chaikowski "Sue" (1951-) -- Counselor, Postal worker, Champion curler, Breast cancer survivor
Tofimenkoff, Patricia Jane Jones "Patti" (1949-) -- Counselor, Teacher
Too, Brenda (1976-) -- Teacher, Counselor
Trofimenkoff, Lezli-Jo (1960-) -- Farrier, Counselor, Entrepreneur, ASL teacher
Wales, Billy "Rusty" (1944-) -- Teacher, Counselor, Educational administrator
Warick, Ruth Patricia (1948-) -- Newspaper reporter, Counselor, Teacher, Student
Weber, Joe (1949?-) -- Soldier, Military, Counselor
Williams, Charles "Chuck" (1931-) -- Counselor

Actor

Baird, Charles Crawford "Chuck" (Feb. 22, 1947-) -- Painter, Artist, Teacher, Actor
Ballin, Albert Victor (March 21, 1861-Nov. 2, 1932) -- Painter, Author, Actor
Bazzell, Larry (fl. 1988) -- Actor
Beskardes, Levent (fl. 1999) -- Actor, Artist
Bragg, Bernard Nathan (Sept. 27, 1928-) -- Actor, Teacher
Branson, Mark Allen (Feb. 13, 1955-Jan. 9, 1997) -- Actor, Teacher, Rodeo rider
Brooks, Gregg (fl. 1979) -- Librarian, Actor, Television newscaster, Archivist
Byrd, William (1966?-July 21, 1993) -- Actor
Carney, Art (Arthur William Matthew) (Nov. 4, 1918-) -- Actor
Chaney, Alonzo "Lon" (April 1, 1883-August 26, 1930) -- Actor
Corey, Charles (fl. 1940) -- Welder, Machine operator, Actor
Crosby, Norm (Norman Lawrence) (Sept. 15, 1927-) -- Comedian, Actor
Dewar, Raymond (Dec. 29, 1952-Oct. 27, 1983) -- Teacher, Activist, Actor
Dysart, Richard (fl. 1995) -- Actor
Eastman, Gilbert C. (Sept. 12, 1934-) -- Teacher, Actor, Author
Edwards, Sam (1941-1989) -- Actor, Playwright, Activist
Fant, Louie Judson "Lou" (1932?-June 11, 2001) -- Interpreter, Actor, Writer
Farina, Jose Manuel (late 20th Century) -- Actor
Ferrigno, Lou (Nov. 9, 1951-) -- Bodybuilder, Actor, Professional football player[/b]
Fleming, Raymond (1951?-) -- Catholic monk, Religion, Actor
Fonda, Henry (May 16, 1905-Aug. 12, 1982) -- Actor
Graybill, Patrick (Aug. 29, 1939-) -- Actor
Greene, Lorne (Feb. 12, 1915-Sept. 11, 1987) -- Actor
Herkimer, Terry "Herk" (1955?-) -- Placement specialist, Director, Actor
Hlibok, Bruce Michael Mackintosh (July 31, 1960-June 23, 1995) -- Playwright, Actor, Writer[/b]
Hughes, Frederick Henry (July 15, 1892-May 6, 1956) -- Teacher, Athletic coach, Actor
Jones, Charles "C.J." (fl. 1997) -- Dancer, Actor
Kovacs, Jonathan Hall (fl. 1983) -- Actor
Lowe, Rob (March 17, 1964-) -- Actor
Malzkuhn, Eric jr. "Malz" (1922?-) -- Teacher, Actor
Maucere, John Lee (1965?-) -- Actor, Model, Playwright
McKinney, J. Charlie (1941?-) -- Actor, Counselor, Administrator
McQueen, Steve (Terrence Steve McQueen) (March 24, 1930-Nov. 7, 1980) -- Actor
Mow, Shanny (fl. 1995) -- Actor, Playwright
Natale, Anthony (fl. 1980-) -- Actor
Nielsen, Leslie (fl. 1995) -- Actor
Reagan, Ronald Wilson (Feb. 6, 1911-) -- Actor, Politician
Redmond, Granville Seymour (March 9, 1871-May 24, 1935) -- Painter, Actor, Artist
Romero, Emerson "Em" (Aug. 19, 1900-1972) -- Actor, Family member, Entrepreneur
Sanchez, Carlos (fl. 2000) -- Actor
Sarpy, Joseph (fl. 1979) -- Actor, Teacher
Seago, Howie (Dec. 5, 1953-) -- Actor
Thomas, Richard (fl. 1990) -- Actor
Utley, Darrell (1983?-) -- Actor
Vasnick, Andrew "Andy" (Dec. 31, 1926-) -- Teacher, Actor
Waterstreet, Edmund, jr. (May 5, 1943-) -- Actor
Weinberg, Louis (fl. 1917) -- Actor, Dancer
Wilson, John (fl. 1993) -- Actor, Theater director
Wolf, Peter S. (January 25, 1945-) -- Actor, Film director, Televison reporter


You can look up the alphabet letters and click on it. You ll find many successful Deaf people in the past.

Oh man, I never knew about many Deaf people who succeed by being deaf and ASL users.. No wonder somebody tried to hide the truth about Deaf people's Role Models. Jeez!

I am so glad I can show you now after I realized it. I have a very good strong instinct that it s factual for Deaf children 's abilities without devices.

Deaf children should know about this history of Deaf people with ASL users.

Thanks! ;)
Sweetmind
 
Actually she speaks quite well.. ANd if you look at the article it states that people didn't even know she was deaf when they spoke to her
Yeah, but speech skill doesn't mean she's not Deaf. I speak pretty well, but I still consider myself Deaf. What I mean by auditory-verbal is a system of therapy where dhh kids are encouraged to assimulate into the hearing world, and not really have too much contact with the Deaf world. Make sense now?
 
Oh, and I hope to add my name to the list someday. I want to be a professional writer (like Molly Ivins) or a professor of sociology.
 
Ahhh Patrick Graybill - yes he is a very good family friend of ours. He and my dad were the first two deaf deacons in the U.S back in the 80's.

DeafDyke - Yes but the real point I am trying to make is successful deaf individuals who work in hearing environment who can't speak. :)

But this is a great list though - I love reading up on this.

Oh yea the 2 brothers who work for Merrill Lynch is the Hlibok brothers. *Took me a while to remember their last names* :)

There is also a Tyrone Giordinao who is also an actor - saw him in a show just recently The Family Stone. I fell out of my chair when I saw him on the show.

Keep em coming!
 
the real point I am trying to make is successful deaf individuals who work in hearing environment who can't speak.
Well the thing is, that those people as a whole are pretty rare. Completly nonverbal dhh (b/c there are some hh kids who have conditions that inhibit speech)folks only make up something like 1% of the total Deaf population. There are probaly SOME indididuals who are unable to speak who are suceeding in the mainstream world, but it's probaly really hard to find solid data on them, b/c the percentage of Deafs (and other disabled people who may use Sign as primary language) who only Sign is very small.
 
deafdyke said:
Well the thing is, that those people as a whole are pretty rare. Completly nonverbal dhh (b/c there are some hh kids who have conditions that inhibit speech)folks only make up something like 1% of the total Deaf population. There are probaly SOME indididuals who are unable to speak who are suceeding in the mainstream world, but it's probaly really hard to find solid data on them, b/c the percentage of Deafs (and other disabled people who may use Sign as primary language) who only Sign is very small.

Good point - :hyper: :whistle: :)
 
DefLord said:
Ahhh Patrick Graybill - yes he is a very good family friend of ours. He and my dad were the first two deaf deacons in the U.S back in the 80's.
I know him, he was my teacher at NTID in few courses. and could have been in his play "Foreigner" if I didn't resign from the play. I had to resign to focus on my major. I liked Theatre.
DefLord said:
DeafDyke - Yes but the real point I am trying to make is successful deaf individuals who work in hearing environment who can't speak. :)
Yes Indeed
DefLord said:
But this is a great list though - I love reading up on this.
Yes Indeed
DefLord said:
Oh yea the 2 brothers who work for Merrill Lynch is the Hlibok brothers. *Took me a while to remember their last names* :)
I met Greg Hilbok at Gally during DPN in person one time
DefLord said:
Keep em coming!
Oh yeah! I agree!

I know Howie Seago and his wife. He was my teacher and my director in his play "Tennessee" His wife was my english teacher back then.

I am also in "Troll and the Elephant Prince with Beth Ann Bull(McDonald's fame) directed by Bari Wilerford (who has been in several movies, he's not deaf though)

http://www.rit.edu/~423www/performing_arts/ntid_prod.html#eighty
 
Michelle Banks, actress

http://clerccenter.gallaudet.edu/WorldAroundYou/mar-apr98/banks.html

Deaf Actress Lights Up Stage and Screen

An award-winning actress on stage and in movies, Michelle Banks is the founder and artistic director of Onyx Theatre, Inc. Banks has performed in movies and plays, including an appearance in Spike Lee's Malcolm X. Her one-woman show, "Reflections of a Black Deaf Woman," has toured several cities. Banks is featured in an article in the February, 1998, issue of Essence magazine.

WAY: Tell us about growing up.
Banks: I was born and raised in Washington, D.C. I have one older brother. All my family are hearing except me.

WAY: How did you become deaf?
Banks: I became deaf at age one from spinal meningitis.

WAY: How did you communicate with your family?
Banks: As soon as my parents found out that I was deaf, they immediately took sign language classes. We communicated in sign language. I would say more in total communication.

WAY:Where did you go to school?
Banks: I was on the Gallaudet campus from the time I was three years old—first at Kendall Demonstration Elementary School (KDES), then the Model Secondary School for the Deaf (MSSD), and finally Gallaudet University. I transferred in 1987 from Gallaudet to finish my degree at the State University of New York (SUNY) at Purchase.

WAY: When did you start thinking of acting as a professional career?
Banks: At MSSD, the director Tim McCarty encouraged me to develop my theater interests further.

WAY: Why did you transfer to SUNY?
Banks: I was looking for a challenge, and I knew that New York was a better place for theater, so I went to study drama at SUNY/Purchase. I was the first deaf student there.

WAY: What was your experience?
Banks: I had to fight for my right to have an interpreter in classes. Some of the students knew sign language and fingerspelling, so we able to communicate. I felt lonely at times but also made some good buddies.

WAY: When did you start your own professional theater company?
Banks: 1990. In my senior year of college, I formed my own theater company called "Onyx." It is the only Deaf theater of color in the U.S.

WAY: Why did you call your theater "Onyx"?
Banks: Onyx is a black stone—the black represents people of color, and the stone represents deafness.

WAY: Did you get any support from the National Theatre of the Deaf?
Banks: I went to their professional theater school in 1987. As Onyx started to grow, I got some support from them and other communities.

WAY: How has the Deaf community reacted to your company?
Banks: They were very excited about the idea of a new theater company.

WAY: Tell us about the company.
Banks: Onyx is a company of deaf, hard of hearing, and hearing actors of color. We do productions based on our life experiences and how we view society.

WAY: Are your performances in ASL?
Banks: Yes, ASL and spoken English. We have hearing actors who reverse interpret sometimes on stage, sometimes off.

WAY: What are your dreams for the company?
Banks: I hope to buy a theater for Onyx, to tour nationally and internationally, and to become more involved in diverse communities.
 
Michael Izak, a deaf attorney

There is a deaf attorney, Michael Izak, in Seattle. I have met him in person. He is nice and smart! He mostly specializes in employment law and has had only D/deaf and hard of hearing clients from all over in Washington state.
 
One of my best friends graduated from RIT with a degree in diagnostic medical sonography and now works in a hospital in Seattle as an ultrasound technician. Both she and her husband are deaf. She's an amazing woman and an inspiration.

I am hoping to enter a program for training to be a medical laboratory technician Sept 2007.
Hey! im amanda. im deaf, obviously. im interested in becoming ultrasound technician and it would be great if i could ask some questions to your friend about this career. Let me know if its possible. =)
 
Hey! im amanda. im deaf, obviously. im interested in becoming ultrasound technician and it would be great if i could ask some questions to your friend about this career. Let me know if its possible. =)

If you have any questions I will try to answer them the best I can.
 
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